Stateside Presents



Tue, May 5, 2015

Doors: 7:30 pm / Show: 8:00 pm


Tickets at the Door

This event is 21 and over

Scott: "Well, I think you should just have the name of the band and our names, and everything else would just be 'blah, blah, blah, blah, blah, blah.' That's what I think you should do, because it's a bio. I think that'd be great. I don't like bios, so anything you wanna do that's fucked up, I'd be into."

Brian: "I'm also an avid bird-watcher."

Having achieved mainstream success with their second album, As Good As Dead (Polygram), and fueled by the multi-format hit single "Bound For The Floor," Local H always has continued to bring the noise. Alongside writing, recording, and releasing records (including 1998's critically acclaimed Pack Up The Cats and last year's punk rock workout, The No Fun E.P.), Local H has maintained a remarkable touring schedule -- and an incredibly loyal fan base to match -- having "hit the road" with the likes of Stone Temple Pilots, Veruca Salt, Cheap Trick, C.O.C., Chevelle, and Burning Brides, to name a few.

Hailing from Chicago, Illinois, Local H is a two-man wrecking crew, a powerhouse invigorated by the mania of former Triple Fast Action drummer Brian St. Clair's punishing backbeat, and driven by the distinct lyric and melodic vision of guitarist/vocalist Scott Lucas. On Whatever Happened To P.J. Soles? (Studio E Records), Scott and Brian flex their post-punk, alt-rock muscles with unabashed vigor and (somehow) equally unassuming rancor.

For this, their fifth full length release, the band teamed with co-producer/engineer Andy Gerber (Caviar, Sullen) to create an emotional aural landscape built, at least in part, of influences ranging from echoes of 60's psychedelia to 70's punk rock, from the 80's indie underground to the sounds of the 21st Century. Launching with the insistent fury of the syncopated, proto-industrial "Where Are They Now?", Whatever Happened To P.J. Soles? is a full power-hour of real rock-n-roll. From the angst-fueled knock on the Golden State ("California Songs") to the grunge-tinged bittersweet melancholia of "Heaven On The Way Down," from the call-and-response anthemic chorus of "Everyone Alive", to the nod-your- head-mellow grooves of the title track and the album's reflective close, "Halcyon Days (Where Were You Then?)". Local H gives us a major dose of reality -- both heavy and sublime -- delivered with equal parts gusto, aplomb, and humility....

On the band's future:

Scott: "I'd consult my crystal ball, but it's broken today."

Brian: "I'm also an avid bird-watcher."

Scott: "He lied to you.
How does the story start and where will it end? Re-birth and re-discovery have been common themes to describe the inside psyche of Matt Drenik's Battleme. 3 years ago Drenik was the lead singer of Austin, TX based psyche rock band, Lions. They had just released their first record in the UK and were touring with a reunited Monster Magnet. Then he got sick. And fought. And now his solo project, Battleme, is finding its audience. It all began with a haunting cover of Neil Young's "Hey Hey, My My" for FX's Sons of Anarchy. A week after its digital release, Drenik's Battleme found itself in the Itunes Top 20 charts. A few months later, he cut a record with Ghostland Observatory's Thomas Turner and the single "Touch" premiered on MTV Buzzworthy. The Atlantic, RCRD LBL, and MTV Hive quickly featured the track and the Washington Post claimed it as being "a career maker." Within a few months of the record's release, Drenik had formed a fledging new live band in Portland, OR. First it was a KEXP in studio session, then an appearance at Seattle's Capitol Hill Block Party. A west coast tour followed with an appearance at LA's Lobster Fest. The album track "Shoot the Noise" was picked to soundtrack the upcoming EA Sports NHL 13 video game. And Battleme's first headlining Portland date was recently previewed by the Willamette Weekly as, "…a continuous string of battles and triumphs. And they're pretty damn good." This is only the beginning.

Growing up in the Cincinnati suburbs with two older brothers, Matt Drenik was always influenced by his environment. One brother was in a noise band, the other with a keen taking towards New Wave. "You had the Jesus Lizard in one room and The The in the other. I was just a kid. I didn't understand the difference between the two." While he didn't understand the differences, these would be key stepping stones in his evolution.

Battleme really began in 2009 on accident when Drenik was diagnosed with uvetis, an auto immune disease that affects the eyes of which there is no known cause or cure. At the time of his diagnosis, Matt was coming off of four years recording and touring with Lions who exploded noise and energy – touring nationally and internationally with the likes of the Toadies, Local H, and Monster Magnet. Fans gravitated towards their raucous live shows as spectacles of Drenik's heavy state of mind.

After he got sick, things began to change. "It was time to go somewhere else." He dove back in to the things he grew up on. The Stones, Flaming Lips, Beck, Townes Van Zandt went running through the walls and Drenik wrote. He turned his thoughts to songwriting. He asked himself questions

like, "what would Bob Pollard do?" This was where he gave in to a re-birth. "I wanted something different. And I didn't have anyone telling me what rules I had to go by."

Wanting a change, Drenik moved to Portland, OR in the summer of 2010. He spent the next several months recording over 40 songs in his girlfriend's basement, bending from one genre to the next. He eventually narrowed them down to an 11 song record. After burning a few CDs for friends, Thomas Turner from Ghostland Observatory got a copy and responded. Drenik thought Turner might offer him a show with Ghostland. Instead, Turner asked to produce the record and put it out on his print, Trashy Moped Recordings.

For months, the two lived and breathed the songs. They sent mixes back and forth, collaborating on every aspect of the sound. Drenik's songs took on new forms – powerful hooks, bottom heavy grooves, and ethereal textures blended effortlessly with drifting, falsetto vocals to create an adventurous mix of post-modern rock and soul that would come to define the record. Synthesizers generate "Touch." A solitary guitar builds into a wall on "Trouble." The cosmic call to kill the quiet in "Wire" gives way to the sweet satisfaction of a "Killer High." Genres coalesce, dividing lines disappear, and Battleme allows the sounds to create their own field of vision. A view from the other side. Songs with no boundaries.

And now Battleme, residing in Portland, OR is figuring out just what to do.
Twin Ponies is a progressive rock band composed of members of the defunct Tempe indie-alternative band, Tugboat. The band was formed by Wayne Jones, Phillip Hanna, and Jordan Tompkins in 2013. Eventually adding Jacob Lauxman's melodic guitar styling, the group solidified their line-up. Twin Ponies looks to take the grunge influenced sound of their former group and expand it into a new direction.
Venue Information:
The Rhythm Room
1019 E. Indian School Road
Phoenix, AZ, 85014