PARQUET COURTS

Stateside Presents / Select

PARQUET COURTS

GOSPEL CLAWS, SNAKE! SNAKE! SNAKES!

Mon, June 3, 2013

Doors: 7:30 pm / Show: 8:00 pm

This event is 21 and over

PARQUET COURTS
PARQUET COURTS
Little was said about Parquet Courts' debut effort, American Specialties. Released exclusively on cassette tape, the quasi-album was an odd collection of 4 track recordings that left those who were paying attention wanting more. A year of woodshedding live sets passed before the Courts committed another song to tape. The band's first proper LP, Light Up Gold, is a dynamic and diverse foray into the back alleys of the American DIY underground. Bright guitars swirl serpentine over looping, groovy post-punk bass lines and drums that border on robotic precision. While the initial rawness of the band's early output remains, the songwriting has gracefully evolved. Primary wordsmiths A. Savage and Austin Brown combine for a dynamic lyrical experience, one part an erudite overflow of ideas, the other an exercise in laid-back observation. Lyrically dense, the poetry is in how it flows along with the melody, often times as locked-in as the rhythm section.

"This record is for the over-socialized victims of the 1990's 'you can be anything you want', Nickelodeon-induced lethargy that ran away from home not out of any wide-eyed big city daydream, but just out of a subconscious return to America's scandalous origin," writes Savage in the album's scratched-out liner notes. Recorded over a few days in an ice-box practice space, Light Up Gold is equally indebted to Krautrock, The Fall, and a slew of contemporaries like Tyvek and Eddy Current Suppression Ring.

Though made up of Texan transplants, Parquet Courts are a New York band. Throw out the countless shallow Brooklyn bands of the blasé 2000's: Light Up Gold is a conscious effort to draw from the rich culture of the city - the bands like Sonic Youth, Bob Dylan, and the Velvet Underground that are not from New York, but of it. A panoramic landscape of dilapidated corner-stores and crowded apartments is superimposed over bare-bones Americana, leaving little room for romance or sentiment. It's punk, it's American, it's New York… it's the color of something you were looking for.
GOSPEL CLAWS
GOSPEL CLAWS
Tempe, AZ-based indie rock outfit Gospel Claws was formed in 2007 by guitarist/vocalist and founding member of rootsy indie rockers Dear and the Headlights, Joel Marquard, vocalist/keyboardist Sloan Walters, guitarist Wesley Hilsabeck, bassist John Mulhern, and drummer Scott Hall. The band's soulful, earthy blend of bluesy indie rock and wild, desert folk has drawn comparisons to everyone from Fleet Foxes and Delta Spirit to Local Natives and the Black Keys. Gospel Claws' eponymous debut EP appeared in 2010.
~ James Christopher Monger, Rovi

Gospel Claws debut LP is going to be released on October 26th, 2010

Praise for C-L-A-W-S:
This is gospel, because even their summer teenage party song sounds righteous, monumental, and holy. This is remarkable complex indie pop that makes you want to convert to whatever church or cult they are running. - roctober.com
SNAKE! SNAKE! SNAKES!
SNAKE! SNAKE! SNAKES!
Venue Information:
The Rhythm Room
1019 E. Indian School Road
Phoenix, AZ, 85014
http://www.rhythmroom.com/